(Source: jdrama)
~~ Adapted from manga Toshi no Sakon by Nakama Atsuki", "image": "https://i.hndrama.com/image/drama/R4QQz_4c.jpg", "genre": [ "Romance" ], "contentRating": "PG-13", "datePublished": "Dec 16, 2020", "dateModified": "2021-02-11", "startDate": "Dec 16, 2020", "endDate": "Feb 3, 2021", "actor": [ { "@type": "Person", "name": "Aoi Wakana", "alternateName": "葵わかな, あおい わかな, Wakana Aoi", "birthDate": "June 30, 1998", "nationality": "Kanagawa, Japan", "description": "", "image": "https://i.hndrama.com/image/people/aoi-wakana.png" }, { "@type": "Person", "name": "Onodera Akira", "alternateName": "小野寺昭, おのでら あきら, Akira Onodera", "birthDate": "September 19, 1943", "nationality": "Obihiro, Hokkaido, Japan", "description": "", "image": "https://i.hndrama.com/image/people/akira-onodera.png" }, { "@type": "Person", "name": "Takezai Terunosuke", "alternateName": "竹財輝之助", "birthDate": "April 7, 1980", "nationality": "Japanese", "description": "Takezai Terunosuke is a Japanese actor, born in Kumamoto City, Kumamoto, Japan.
He made his acting debut in the 2004 film “Kamen Rider Blade: Missing Ace.” He has since appeared in many popular films and television dramas, including the recent “Kimi Wa Petto” (2017). Takezai is married to actress Miho Fujima since 2014 and welcomed their first child, a girl in 2018.
(Source: Viki)", "image": "https://i.hndrama.com/image/people/xbQzX_5c.jpg" }, { "@type": "Person", "name": "Kawai Aoba", "alternateName": "河井青葉", "birthDate": "November 16, 1981", "nationality": "Japanese", "description": "Kawai Aoba is a Japanese actress and former fashion model. She was born in Tokyo. She is currently under Breath. She has been active since 2004.
In 2016, at the 37th Yokohama Film Festival, she won Best Supporting Actress Award. In 2022, at the 35th Takasaki Film Festival, she won Best Actress Award.", "image": "https://i.hndrama.com/image/people/Wx2z5_5c.jpg" }, { "@type": "Person", "name": "Matsumoto Wakana", "alternateName": "松本若菜", "birthDate": "February 25, 1984", "nationality": "Japanese", "description": "Matsumoto Wakana is a Japanese actress under Triple A. Matsumoto reports that she was scouted at age fifteen in her hometown but declined the advance. She became active in the entertainment industry in 2007 with an appearance in Kamen Rider Den-O, which is part of the famous and prolific series. Since then she has appeared on the small screen, silver screen and in commercials. She was the face of her home prefecture's advertising campaign and became an ambassador for Tottori beginning in 2010.
In 2017, she won the 39th Yokohama Film Festival Supporting Actress Award for her performance in the movie " Gukoroku ".
(Source: IMDB)", "image": "https://i.hndrama.com/image/people/x4wWW3_5c.jpg" }, { "@type": "Person", "name": "Yoshino Hokuto", "alternateName": "吉野北人", "birthDate": "March 6, 1997", "nationality": "Japanese", "description": "Yoshino Hokuto is an actor, model and member of the Japanese boy group THE RAMPAGE from EXILE TRIBE.
He auditioned for Vocal Battle Audition 4, and was selected as a vocalist for the group in April 2014.", "image": "https://i.hndrama.com/image/people/RBjdgr_5c.jpg" } ], "director": [ { "@type": "Person", "name": "Hiroki Ryuichi", "alternateName": "廣木隆一", "birthDate": "January 1, 1954", "nationality": "Japanese", "description": "Hiroki Ryuichi is a Japanese film director. He won critical acclaim for 800 Two Lap Runners. Film critic and researcher Alexander Jacoby has described Hiroki as "one of the modern Japanese cinema's most intelligent students of character".
Of the directors who have graduated from “pink film” to the mainstream, Hiroki has remained perhaps the most faithful to his origins: he continues to make films on sexual themes, though titillation has given way to analysis. In the eighties, after serving as assistant to prolific “pink” director Genji Nakamura, he made pornographic films for both straight and gay audiences; likewise, his first mainstream feature, 800 Two Lap Runners (1994), explored both hetero- and homosexual feelings in its account of the awkward relationship between a teenage runner and the former girlfriend of the dead trackmate with whom he once had a sexual experience.
Hiroki’s next film, Midori, was another drama about adolescent emotions, focusing on a disaffected high school girl who feigns illness to spend time with her boyfriend. Female protagonists continued to be central to Hiroki’s most interesting work, which dealt with young adults and with their sexual conduct in the fragmented society of modern urban Japan. Tokyo Trash Baby, Vibrator, and Girlfriend: Someone Please Stop the World were all moving, understated films about lonely, alienated women seeking solace in romantic fantasy and transient attachments.
Hiroki shot these films on digital video, and his informal style, with its loose compositions and low-key performances, effectively dramatized the haphazard lives of his protagonists, insecure both in work and relationships. Darker and more melodramatic in the plot was L’Amant (2004), a coolly observed account of a teenage schoolgirl who sells herself for a year as a sex slave to three brothers. By refusing to pass judgment on the perverse actions it depicted, Hiroki’s detached style forced the viewer to confront his own taboos. The director again explored the extremes of sexual behavior in M (2006); described by Jasper Sharp as “a Belle de Jour for the internet age,” it charted the experiences of a housewife who begins to work as a prostitute after receiving an email from a dating website.
Besides these troubling and emotionally complex films, The Silent Big Man was an unexpectedly chaste academic work, set safely in the past, and prettily photographed against the scenic backdrops of the Inland Sea. Recalling Keisuke Kinoshita in its story of a mute teacher assigned to an island school, it lacked Kinoshita’s skill for melodrama, and though Hiroki’s dry style restrained its sentimentality somewhat, he seemed ill suited to the material.
Happily, with It’s Only Talk, a subtly compelling chronicle of the life of an unemployed thirty-something woman suffering from manic depression, Hiroki returned to his more fruitful preoccupation with the problems of contemporary urban life. Here his use of locations in Tokyo’s down-at-heel Kamata district was especially well judged, anchoring the drama in a near-documentary record of a specific place. Love on Sunday, meanwhile, revisited the territory of the director’s earliest mainstream features, exploring adolescent emotions as it charted a teenage girl’s last 24 hours in her country home. In his recent work, Hiroki has proved himself one of the modern Japanese cinema’s most intelligent students of character, as well as one of the most precise analysts of Tokyo’s twenty-first-century zeitgeist and Japan’s twenty-first-century malaise.
(Source: A Critical Handbook of Japanese Film Directors)", "image": "https://i.hndrama.com/image/people/6DKgW_5c.jpg" } ], "trailer": { "@type": "VideoObject", "name": "Trailer for Toshi no Sakon", "embedUrl": "https://www.youtube.com/embed/", "thumbnailUrl": "https://img.youtube.com/vi//0.jpg" }, "productionCompany": [ { "@type": "Organization", "name": "MBS", "description": "
Mainichi Broadcasting System, Inc. (株式会社毎日放送, Kabushiki-gaisha Mainichi Hōsō, Mainichi Broadcasting System Stock-Company), or MBS, is a radio and television broadcasting company headquartered in Osaka, Japan, affiliated with Japan Radio Network (JRN), National Radio Network (NRN), Japan News Network (JNN) and TBS Network, serving in the Kansai region.", "logo": "https://i.hndrama.com/image/network/mbs.png" } ], "countryOfOrigin": { "@type": "Country", "name": "Japan" }, "numberOfEpisodes": "8", "episode": [ { "@type": "TVEpisode", "name": "Episode 8", "url": "https://ww5.kissasian.video/watch/toshi-no-sakon/episode-8.html", "episodeNumber": 8, "datePublished": "2021-02-11" }, { "@type": "TVEpisode", "name": "Episode 7", "url": "https://ww5.kissasian.video/watch/toshi-no-sakon/episode-7.html", "episodeNumber": 7, "datePublished": "2021-02-05" }, { "@type": "TVEpisode", "name": "Episode 6", "url": "https://ww5.kissasian.video/watch/toshi-no-sakon/episode-6.html", "episodeNumber": 6, "datePublished": "2021-01-29" }, { "@type": "TVEpisode", "name": "Episode 5", "url": "https://ww5.kissasian.video/watch/toshi-no-sakon/episode-5.html", "episodeNumber": 5, "datePublished": "2021-01-21" }, { "@type": "TVEpisode", "name": "Episode 4", "url": "https://ww5.kissasian.video/watch/toshi-no-sakon/episode-4.html", "episodeNumber": 4, "datePublished": "2021-01-14" }, { "@type": "TVEpisode", "name": "Episode 3", "url": "https://ww5.kissasian.video/watch/toshi-no-sakon/episode-3.html", "episodeNumber": 3, "datePublished": "2021-01-07" }, { "@type": "TVEpisode", "name": "Episode 2", "url": "https://ww5.kissasian.video/watch/toshi-no-sakon/episode-2.html", "episodeNumber": 2, "datePublished": "2020-12-25" }, { "@type": "TVEpisode", "name": "Episode 1", "url": "https://ww5.kissasian.video/watch/toshi-no-sakon/episode-1.html", "episodeNumber": 1, "datePublished": "2020-12-17" } ] }