(Source: jdramas.wordpress.com)", "image": "https://i.hndrama.com/image/drama/d38WA_4c.jpg", "genre": [ "Comedy" ], "contentRating": "PG-13", "datePublished": "Apr 2, 2021", "dateModified": "2021-08-16", "startDate": "Apr 2, 2021", "endDate": "May 7, 2021", "actor": [ { "@type": "Person", "name": "Narumi Riko", "alternateName": "成海璃子", "birthDate": "August 18, 1992", "nationality": "Japanese", "description": "Narumi Riko, born in Yokohama, Kanagawa Prefecture, is a Japanese actress and fashion model. She was born Tsukamoto Riko. She grew up in Kawasaki. Her special talents include playing the piano and guitar.
Her nickname is Rikopin was given to her on a Japanese radio program.", "image": "https://i.hndrama.com/image/people/XXldp_5c.jpg" }, { "@type": "Person", "name": "Koizumi Kyoko", "alternateName": "小泉今日子, こいずみ きょうこ, Kyoko Koizumi, KyonKyon, Koizumi Kyouko, Kyouko Koizumi", "birthDate": "February 04, 1966", "nationality": "Atsugi, Kanagawa Prefecture, Japan", "description": "", "image": "https://i.hndrama.com/image/people/koizumi-kyoko.png" }, { "@type": "Person", "name": "Ayata Toshiki", "alternateName": "綾田俊樹, あやた としき, Toshiki Ayata", "birthDate": "June 13, 1950", "nationality": "Nara Prefecture, Japan", "description": "Toshiki Ayata is a Japanese actor and director born in Nara prefecture. He graduated from Meiji University Faculty of Letters. His agency is knockout. After working at the On Theater Free Theater, he formed the theater company Tokyo Kandenchi with Emoto Akira and Bengal. Although he rarely appears on variety shows, for a short time, he made regular appearances on TV Asahi's late-night program "Good Morning."", "image": "https://i.hndrama.com/image/people/toshiki-ayata.png" }, { "@type": "Person", "name": "Bengal", "alternateName": "ベンガル", "birthDate": "August 17, 1951", "nationality": "Japanese", "description": "Yanagihara Haruo, best known by his stage name Bengal, is a Japanese actor, born in Tokyo, Japan. He debuted in the early 80s. He's represented by the talent agency Knock Out.", "image": "https://i.hndrama.com/image/people/q3rPP_5c.jpg" }, { "@type": "Person", "name": "Hirooka Yuriko", "alternateName": "広岡由里子, ひろおか ゆりこ, Yuriko Hirooka", "birthDate": "May 31, 1965", "nationality": "Chiba Prefecture, Japan", "description": "", "image": "https://i.hndrama.com/image/people/hirooka-yuriko.png" }, { "@type": "Person", "name": "Yamauchi Takaya", "alternateName": "山内圭哉, やまうち たかや, Takaya Yamauchi", "birthDate": "October 31, 1971", "nationality": "Osaka Prefecture, Japan", "description": "", "image": "https://i.hndrama.com/image/people/yamauchi-takaya.png" } ], "director": [ { "@type": "Person", "name": "Hirayama Hideyuki", "alternateName": "平山秀幸", "birthDate": "September 18, 1950", "nationality": "Japanese", "description": "Hirayama has sustained parallel careers as a proficient craftsman of big-budget commercial entertainments and as an artist realizing small-scale, offbeat, and imaginative projects. After a long freelance apprenticeship to such directors as Jūzō Itami and Kichitarō Negishi, he made his debut, a comic horror film, for the Directors’ Company. Lighthearted horror continued to occupy him through much of the nineties, as he directed three installments of the popular HauntedSchool (Gakkōnokaidan) series, a sub-Spielberg exercise in thrills and spills for kids, with endearingly inept special effects. By this time, however, he had achieved critical notice with TheGamesTeachersPlay (Zachūgakkōkyōshi, 1992), about a junior high school teacher trying to deal with delinquency by encouraging his charges to dispense their own justice. Mark Schilling praised the film’s “clear-eyed view of [the] teenage world, minus adult romanticizing, caricaturing, and demonizing.” Also well-received during the nineties was BeggingforLove (Aiokouhito, 1998), an account of a girl suffering abuse at the hands of her mother, which fixed its story in the context of the social instability of Japan after World War II.
Since the millennium, Hirayama has won further acclaim for two remarkable black comedies. TheLaughingFrog (Waraukaeru, 2002) was a droll, dry satire with a faintly Bunuelian touch to its cynical portrait of bourgeois life, the black sheep husband ultimately proving the most sympathetic figure among the venal and selfish, if respectable, characters who surround him. Hirayama’s precise framing, using a mainly static camera, observed the unfolding comedy with neither indulgence nor contempt, and the performances were superb. Out (2002) focused on a middle-aged woman who murders her husband and conspires with her colleagues at a boxed lunch factory to dispose of the body. Despite the melodramatic premise, its theme was the ordinary frustrations of female experience in a patriarchal society.
Hirayama has continued to work in a variety of genres. Turn (Tān, 2001) was an engaging fantasy in which a woman finds herself doomed, after a car crash, to relive endlessly the same 24 hours in a parallel universe of which she appears to be the only inhabitant. Especially in the early stages, Hirayama intelligently dramatized the reactions of his heroine to her isolation, and the film was rather touching. Lady Joker (Redī Jōkā, 2004) used a thriller plot about a plan to kidnap a company president to launch an investigation into corruption in Japanese society. Samurai Resurrection (Makai tenshō, 2003), however, was a more purely commercial work: a large, dumb action movie which submerged story and characterization under a barrage of special effects. Still, while Hirayama remains an uneven director, he has been responsible for some of the more original and diverting Japanese films of recent years. In 2007, two films inspired by the style and tradition of rakugo comic storytelling confirmed his versatility: Talk, Talk, Talk (Shaberedomo shaberedomo) was a story about a modern practitioner of this old-fashioned art form training three reluctant recruits for a performance, while Three for the Road (Yajikita dōchū: Teresuko) was a lighthearted road movie reworking the oft-filmed eighteenth-century novel Shank’s Mare (Hizakurige).
(Source: A Critical Handbook of Japanese Film Directors)", "image": "https://i.hndrama.com/image/people/JKDZmc.jpg" } ], "trailer": { "@type": "VideoObject", "name": "Trailer for Kawa no Hotori de (2021)", "embedUrl": "https://www.youtube.com/embed/", "thumbnailUrl": "https://img.youtube.com/vi//0.jpg" }, "productionCompany": [ { "@type": "Organization", "name": "WOWOW", "description": "Wowow Inc., listed as TYO: 4839, is a private satellite broadcasting and premium satellite television station in Japan. Its headquarters are located on the 21st floor of the Akasaka Park Building in Akasaka, Minato, Tokyo. Its broadcasting center is in Koto, Tokyo.", "logo": "https://i.hndrama.com/image/network/wowow.png" } ], "countryOfOrigin": { "@type": "Country", "name": "Japan" }, "numberOfEpisodes": "6", "episode": [ { "@type": "TVEpisode", "name": "Episode 6", "url": "https://ww5.kissasian.video/watch/kawa-no-hotori-de-2021/episode-6.html", "episodeNumber": 6, "datePublished": "2021-08-16" }, { "@type": "TVEpisode", "name": "Episode 5", "url": "https://ww5.kissasian.video/watch/kawa-no-hotori-de-2021/episode-5.html", "episodeNumber": 5, "datePublished": "2021-08-16" }, { "@type": "TVEpisode", "name": "Episode 4", "url": "https://ww5.kissasian.video/watch/kawa-no-hotori-de-2021/episode-4.html", "episodeNumber": 4, "datePublished": "2021-08-13" }, { "@type": "TVEpisode", "name": "Episode 3", "url": "https://ww5.kissasian.video/watch/kawa-no-hotori-de-2021/episode-3.html", "episodeNumber": 3, "datePublished": "2021-08-10" }, { "@type": "TVEpisode", "name": "Episode 2", "url": "https://ww5.kissasian.video/watch/kawa-no-hotori-de-2021/episode-2.html", "episodeNumber": 2, "datePublished": "2021-08-05" }, { "@type": "TVEpisode", "name": "Episode 1", "url": "https://ww5.kissasian.video/watch/kawa-no-hotori-de-2021/episode-1.html", "episodeNumber": 1, "datePublished": "2021-08-02" } ]
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