~~ Adapted from the novel of the same title by Yuzuki Asako (柚木 麻子).", "image": "https://i.hndrama.com/image/drama/elLJdc.jpg", "genre": [ "drama", "Romance" ], "contentRating": "PG-13", "datePublished": "Aug 15, 2017", "dateModified": "2018-08-05", "startDate": "Aug 15, 2017", "endDate": "Oct 3, 2017", "actor": [ { "@type": "Person", "name": "Kimura Fumino", "alternateName": "木村文乃", "birthDate": "October 19, 1987", "nationality": "Japanese", "description": "Kimura Fumino is a Japanese actress.
She was previously married to an acting instructor. The two divorced in 2019.
On March 12, 2023, it was announced that she would be getting married to a non-celebrity man and she was expecting her first child. On July 16, 2023, she announced the birth of her first child.", "image": "https://i.hndrama.com/image/people/wJW5qp_5c.jpg" }, { "@type": "Person", "name": "Tanaka Kei", "alternateName": "田中圭", "birthDate": "July 10, 1984", "nationality": "Japanese", "description": "Tanaka Kei is a Japanese actor, born in Tokyo, Japan. He is married to an actress called Sakura since 2011. The couple has met each other during the filming of Massugu na Otoko. Together they have two daughters, born in 2012 and 2016 respectively.", "image": "https://i.hndrama.com/image/people/dmWvb_5c.jpg" }, { "@type": "Person", "name": "Sasaki Nozomi", "alternateName": "佐々木希", "birthDate": "February 8, 1988", "nationality": "Japanese", "description": "Sasaki Nozomi, previously known simply as Nozomi during her fashion modeling career, is a Japanese glamour model and former professional fashion model from Akita. Sasaki began modeling at the age of around 14. After working as a fashion model for nearly 7 years, she has become famous as a glamour model (gravure idol) and main ringside commentator/spokesperson for Dream Fighting Championships and K-1 World Max.
In 2010, she started her music career, debuting with the single "Kamu to Funyan" (噛むとフニャン). Sasaki's debut album Nozomi Collection was released on April 18, 2012.
She was given the nickname "No Mercy" for her countless reported atrocities toward other show-business girls she worked with, in her teenage years, especially toward actresses, glamour models, and fashion models from foreign countries, whom she considered to be "fat".
In Aril 2017, she married the actor Ken Watabe, and they welcomed their first child, a baby boy on September 13, 2018, announcing the birth of her second child on April 27, 2023.", "image": "https://i.hndrama.com/image/people/RN7qE_5c.jpg" }, { "@type": "Person", "name": "Shida Mirai", "alternateName": "志田未来", "birthDate": "May 10, 1993", "nationality": "Japanese", "description": "Shida Mirai, born in Ayase, Kanagawa Prefecture, Japan, is a Japanese actress. She became recognized after her breakthrough role as Kanda Kazumi in Joo no Kyoshitsu, leading her to more prominent roles, such as Ichinose Miki in 14-year-old Mother.
On September 14, 2018 she announced her marriage to a non-celebrity man.
(Source: Wikipedia)", "image": "https://i.hndrama.com/image/people/1wwAZz_5c.jpg" }, { "@type": "Person", "name": "Kaho", "alternateName": "夏帆", "birthDate": "June 30, 1991", "nationality": "Japanese", "description": "Kaho, born in Tokyo, Japan, is a Japanese actress and fashion model.
She was first discovered in Harajuku (Omotesando) when she was still in 5th grade. She made her debut in 2003 in a television commercial for the mobile phone company TU-KA. From 2003-2005, she modeled for the teen fashion magazines Pichi Lemon and PurePure. In 2004, she was chosen as the 11th Mitsui Rehouse Girl and retained that title until 2007.
From 2005-2007, Kaho had roles in several television roles including a starring role in the BS-i drama "Ketai Keiji Zenigata Rei". In 2007, she starred in Nobuhiro Yamashita's A Gentle Breeze in the Village. Her performance netted her Best New Talent prizes at both the 2007 Hochi Film Awards and the 2008 Yokohama Film Festival.
(Source: NC)", "image": "https://i.hndrama.com/image/people/QYEJ4_5c.jpg" }, { "@type": "Person", "name": "Ikeda Elaiza", "alternateName": "池田エライザ, いけだ エライザ, 이케다 엘라이자, 池田依來沙, Elaiza Ikeda, Икэда, Эраидза, ایلیزا ایکدا, إليزا إيكيدا", "birthDate": "April 16, 1996", "nationality": "Philippines", "description": "Ikeda Elaiza is a Filipino-Japanese actress, fashion model and singer. Her mother is of Spanish Filipino Chinese descent and her father is Japanese. She began modeling in 2009 after winning the "Grand Priz Nicola Model Audition 2009". (Source: Wikipedia)", "image": "https://i.hndrama.com/image/people/ikeda-elaiza.png" } ], "director": [ { "@type": "Person", "name": "Hiroki Ryuichi", "alternateName": "廣木隆一", "birthDate": "January 1, 1954", "nationality": "Japanese", "description": "Hiroki Ryuichi is a Japanese film director. He won critical acclaim for 800 Two Lap Runners. Film critic and researcher Alexander Jacoby has described Hiroki as "one of the modern Japanese cinema's most intelligent students of character".
Of the directors who have graduated from “pink film” to the mainstream, Hiroki has remained perhaps the most faithful to his origins: he continues to make films on sexual themes, though titillation has given way to analysis. In the eighties, after serving as assistant to prolific “pink” director Genji Nakamura, he made pornographic films for both straight and gay audiences; likewise, his first mainstream feature, 800 Two Lap Runners (1994), explored both hetero- and homosexual feelings in its account of the awkward relationship between a teenage runner and the former girlfriend of the dead trackmate with whom he once had a sexual experience.
Hiroki’s next film, Midori, was another drama about adolescent emotions, focusing on a disaffected high school girl who feigns illness to spend time with her boyfriend. Female protagonists continued to be central to Hiroki’s most interesting work, which dealt with young adults and with their sexual conduct in the fragmented society of modern urban Japan. Tokyo Trash Baby, Vibrator, and Girlfriend: Someone Please Stop the World were all moving, understated films about lonely, alienated women seeking solace in romantic fantasy and transient attachments.
Hiroki shot these films on digital video, and his informal style, with its loose compositions and low-key performances, effectively dramatized the haphazard lives of his protagonists, insecure both in work and relationships. Darker and more melodramatic in the plot was L’Amant (2004), a coolly observed account of a teenage schoolgirl who sells herself for a year as a sex slave to three brothers. By refusing to pass judgment on the perverse actions it depicted, Hiroki’s detached style forced the viewer to confront his own taboos. The director again explored the extremes of sexual behavior in M (2006); described by Jasper Sharp as “a Belle de Jour for the internet age,” it charted the experiences of a housewife who begins to work as a prostitute after receiving an email from a dating website.
Besides these troubling and emotionally complex films, The Silent Big Man was an unexpectedly chaste academic work, set safely in the past, and prettily photographed against the scenic backdrops of the Inland Sea. Recalling Keisuke Kinoshita in its story of a mute teacher assigned to an island school, it lacked Kinoshita’s skill for melodrama, and though Hiroki’s dry style restrained its sentimentality somewhat, he seemed ill suited to the material.
Happily, with It’s Only Talk, a subtly compelling chronicle of the life of an unemployed thirty-something woman suffering from manic depression, Hiroki returned to his more fruitful preoccupation with the problems of contemporary urban life. Here his use of locations in Tokyo’s down-at-heel Kamata district was especially well judged, anchoring the drama in a near-documentary record of a specific place. Love on Sunday, meanwhile, revisited the territory of the director’s earliest mainstream features, exploring adolescent emotions as it charted a teenage girl’s last 24 hours in her country home. In his recent work, Hiroki has proved himself one of the modern Japanese cinema’s most intelligent students of character, as well as one of the most precise analysts of Tokyo’s twenty-first-century zeitgeist and Japan’s twenty-first-century malaise.
(Source: A Critical Handbook of Japanese Film Directors)", "image": "https://i.hndrama.com/image/people/6DKgW_5c.jpg" }, { "@type": "Person", "name": "Mori Yasutaka", "alternateName": "毛利安孝", "birthDate": "July 26, 1968", "nationality": "Japanese", "description": "Mori Yasutaka is a Japanese director and screenwriter.", "image": "https://i.hndrama.com/image/people/EW0kW_5c.jpg" } ], "trailer": { "@type": "VideoObject", "name": "Trailer for Ito-kun A to E", "embedUrl": "https://www.youtube.com/embed/", "thumbnailUrl": "https://img.youtube.com/vi//0.jpg" }, "productionCompany": [ { "@type": "Organization", "name": "MBS", "description": "
Mainichi Broadcasting System, Inc. (株式会社毎日放送, Kabushiki-gaisha Mainichi Hōsō, Mainichi Broadcasting System Stock-Company), or MBS, is a radio and television broadcasting company headquartered in Osaka, Japan, affiliated with Japan Radio Network (JRN), National Radio Network (NRN), Japan News Network (JNN) and TBS Network, serving in the Kansai region.", "logo": "https://i.hndrama.com/image/network/mbs.png" } ], "countryOfOrigin": { "@type": "Country", "name": "Japan" }, "numberOfEpisodes": "8", "episode": [ { "@type": "TVEpisode", "name": "Episode 8", "url": "https://ww5.kissasian.video/watch/ito-kun-a-to-e/episode-8.html", "episodeNumber": 8, "datePublished": "2018-08-05" }, { "@type": "TVEpisode", "name": "Episode 7", "url": "https://ww5.kissasian.video/watch/ito-kun-a-to-e/episode-7.html", "episodeNumber": 7, "datePublished": "2017-12-24" }, { "@type": "TVEpisode", "name": "Episode 6", "url": "https://ww5.kissasian.video/watch/ito-kun-a-to-e/episode-6.html", "episodeNumber": 6, "datePublished": "2017-11-22" }, { "@type": "TVEpisode", "name": "Episode 5", "url": "https://ww5.kissasian.video/watch/ito-kun-a-to-e/episode-5.html", "episodeNumber": 5, "datePublished": "2017-11-22" }, { "@type": "TVEpisode", "name": "Episode 4", "url": "https://ww5.kissasian.video/watch/ito-kun-a-to-e/episode-4.html", "episodeNumber": 4, "datePublished": "2017-10-30" }, { "@type": "TVEpisode", "name": "Episode 3", "url": "https://ww5.kissasian.video/watch/ito-kun-a-to-e/episode-3.html", "episodeNumber": 3, "datePublished": "2017-10-30" }, { "@type": "TVEpisode", "name": "Episode 2", "url": "https://ww5.kissasian.video/watch/ito-kun-a-to-e/episode-2.html", "episodeNumber": 2, "datePublished": "2017-09-28" }, { "@type": "TVEpisode", "name": "Episode 1", "url": "https://ww5.kissasian.video/watch/ito-kun-a-to-e/episode-1.html", "episodeNumber": 1, "datePublished": "2017-09-19" } ]
}
Yazaki Rio is a 32-year-old screenwriter, who was once popular but has not written any new titles in a while. One day while she was giving a lecture, she distributes a questionnaire to the attendees. Later when reading the answers, she notices that 4 women are all talking about a man named "Ito". With the encouragement of her producer, she decided to write a new TV series about the women and their relationship with "Ito".
(Source: MyDramaList)
~~ Adapted from the novel of the same title by Yuzuki Asako (柚木 麻子).Watch drama online for free.
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